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And I'm not so much talking about the similar flash of No Limit but the darker, nastier, more outwardly nihilistic acts that erupted in backlash, all politically incorrect and violent and in your face as a reaction to the perceived shallowness of culture at the time, especially in male-dominated media. Or to put it another way, Internal Affairs is in a bit of a different lane in comparison with many of the underground projects that I've covered this year, and the sort of album I'm not sure would get the same reception should it be released today - very much of its time and era in the late 90s, and I think with twenty years of separation, while I still think it's pretty great, parts of it might not have held up as strongly as many want to admit.Īnd a huge part of this has to do with context in the last years of the twentieth century, namely that for as much as I described the pronounced split between the decadence of the shiny suit era and the grubby underground, even in the mainstream it was never just that simple, because for as much as the 'jiggy' era was a thing on the charts, it wasn't precisely dominant. until I gave Internal Affairs a few more relistens, and came to the abrupt realization that the context for this album and why certain elements haven't really aged as well as you might think do demand some explanation, both relating to the album and in the era in which it came. So you'd think that given my familiarity with Pharoahe Monch and this album in specific that it'd a pretty easy project to discuss - it's a classic debut that Pharoahe hasn't quite topped, a landmark in the underground in 1999, it holds up to this day, let's just be happy it's reissued and available on streaming and go home happy. And given that I've talked about this artist before and it's near the twentieth anniversary of its release - and the long-awaited re-release on streaming platforms long thought impossible thanks to sample clearance issues - it's time we go back to the source: this is Internal Affairs by Pharoahe Monch, and this is Resonators! It would take a relatively long time for member Prince Po to land his solo debut with The Slickness in 2004 to generally positive coverage, but the other rapper would receive immediate acclaim with his release in 1999 on Rawkus, featuring a murder's row of collaborators and later highlighted as one of the best hip-hop debuts of all time. But three albums in and after a particularly ambitious but mostly failed 1997 project The Equinox, the duo decided to split amicably and go their separate ways to chase solo crossover - and when you consider both had been rapping and producing their own projects through the entire decade, it's not surprising they wanted to thin out their workload and narrow their focus. And while the critics adored them for forward-thinking content and a unique sound in the era of gangsta rap, their eclectic and varied delivery and lyricism meant they never really saw mainstream success - kind of a damn shame because they didn't skimp on hooks or catchiness either, but that happens more than it should in the underground even today. I think I'm in the quarter of Resonators entries where I'm just going to be reviewing acts that I otherwise know and and like a great deal already - a little different than the discovery and research that came from last year's genre, but when the albums are pretty consistently great, am I supposed to complain?Īnyway, the story of this artist begins in the late 80s with the duo with the very timely name Simply II Positive MCs - in a desire to remain more marketable in changing times they'd rename themselves to Organized Konfusion and begin releasing critically acclaimed cult albums throughout the the 90s. Static factory class Account = GenerationType.IDENTITY) Private LocalDate = FetchType.LAZY, optional = "ACCOUNT_ID", nullable = false) Here’s the code depicting the Account and CreditCard class CreditCard = GenerationType.IDENTITY) Take a look at previous article, to understand how to detect query issues using logging. It’s safe to say that minimizing the number of entity mappings is a safe way to good ORM performance. Making this mapping bi-directional can easily result in N+1 selects if you’re not careful. Luckily many to one is the easiest and least harmful out of all the JPA entity relation mappings. Suboptimal queriesĮxtensive entity mapping is a great way to sub-optimal queries, N+1 selects or Carthesian product problems. Let’s assume that in our example we won’t be extensively accessing Account from CreditCard Level so we’ll stick to advised Lazy strategy. When setting up a many to one entity relation, you should be aware which fetch strategy you’ll need. With LAZY approach Account information is fetched only when it’s needed (CreditCard’s account field is accessed). The rule of thumb, advised fetch strategy is LAZY. This means that every time you ask Hibernate to fetch a CreditCard, it will create an SQL join to fetch the Account data as well. Fetch strategyĮach mapping type has a default fetch strategy. Hibernate creators repeatedly say that a whole application can easily be built with just this one type of mapping. Many to one mapping is definitely the least problematic of all. Whenever something is done automatically by the framework, we as developers, usually lose some control over it. Mandatory relation will result in Hibernate throwing an exception when we attempt to save a credit card with null account We can decide if the relation is mandatory or not.We can decide to fetch the account eagerly or lazily.With many to one mapping, we’re able to retrieve an account associated with each credit card without additional code.Luckily Hibernate can deal with most of the trouble for us, but there are few subtle benefits related to mapping itself: This would probably involve creating an additional method in a Dao class, dealing with a prepared statement and mapping query result to the class instance. With a traditional JDBC in order to fetch credit card’s account you’d need to construct the following query: It makes the credit card to account relation mandatory. Additionally we’ll say that a credit card cannot exist without an account, otherwise it’s not usable. Each credit card belongs to only one account and each account can have multiple credit cards attached. Lets say we’re dealing with credit cards. Here’s an overview of many to one entity relation. We’ll also dig directly into SQL statements produced as a result of a many to one mapping.Ĭode to this example is available right here on Github. We’ll learn how to set it with JPA annotations and what are the resulting database tables. You’ll learn the benefits and potential issues associated with such an entity relation mapping. This article gives a detailed overview of a unidirectional many to one JPA entity mapping. Bassline provides very decent weight to the sound but it will not produce much of the punch and slam. It will produce a decent amount of bass down to around fifty Herz, and even a tad lower with a help of a smaller room. That said, I still plan to dissect the sound a bit.īass is as deep as you can expect from a box of this size. Frequency response is even-handed and smooth, and I’m not able to notice where one driver ends and the other takes over (something easily noticeable with many speakers for a trained ear). The first thing that struck me is how tonally correct Debut 2.0 B5.2 is. That said, how do they actually sound? Sound At all times, amps were fed with the Denafrips Ares II DAC. In the end, I hooked them to my Cyrus 8vs2 that showcased just how well these speakers scale with better amplification. This old but sonically balanced amp was a great match for Elacs and resulted in a sound one could easily live with. Moving to the vintage Luxman A-225 things looked much, much better. Just for fun, I tried these Elacs with a dirty cheap Arylic A30 digital amp first and got a very thin and flat sound this combo was a no go. These numbers are nothing to worry about, but it means that B5.2 will thank you for an amp with a healthy dose of power and control. Sensitivity is rated at a pretty low 86 dB while nominal impedance is 6 Ohms. On the back, we have one pair of binding posts that feels quality made. Bass reflex is located on the front making placement just a tad easier. The bass/midrange unit is 5.25″ in diameter, while the tweeter is protected with a mesh wire, meaning no worries that some little fingers will lose their way and damage your precious tweeters (my personal nightmare with exposed domes). It’s a small speaker finished to a good standard for the price and reassuringly weighty when lifted. Looking from the outside, there’s nothing unusual about Debut B5.2. So, were these little guys worth all that hype? Let’s see. Initially, their attention went to higher-end models but some of those ideas did finally boil down to the every-man Debut series. What’s interesting about this particular iteration is that it was designed by the famed speaker designer Andrew Jones, that started cooperating with Elac recently. ELAC Debut series has been around for some time now, and the B5.2 we have here is a member of its latest iteration – Debut 2.0. If improvements are public but elsewhere, maybe someone can find the changeset(s) or other ticket(s) – thanks. I assume that relevant improvements to VirtualBox are currently: Mountain Lion guest-related was similarly closed, presumably by a moderator. Lion guest-related remains closed, not open to discussion. Unless I'm missing something, none of the 4.x change logs mention anything like this. with fewer of the OSx86-oriented additions that I found necessary with some previous releases of VirtualBox.For me, Mountain Lion OS X 10.8.2 (build 12C60) runs as a guest with VirtualBox 4.2.4 r81684 on a 12C60 host, MacBookPro5,2 with 8 GB memory: See for instructions on how to make a Mac OS X Lion install disk or else acquire one of the Mac OS X Lion installation bootable flash drives from AppleCare.Īn unexpected and pleasant surprise. Message early in the boot process inside the virtual machine. "This version of Mac OS X is not supported on this platform!" Make Sure Your USB Drive Is Formatted for a Mac Not all USB drives can be used with a Mac right out of the box. Finally, use your bootable flash drive to install Lion on your Mac. Which would seem to explicitly permit running Mac OS X 10.7 (Lion) non-server version as a guest under VirtualBox provided the VirtualBox host is also running Mac OS X.Īttempts to boot the 10.7 installer under VirtualBox 4.1.0 running on a Mac OS X system that is supported by Lion results in a First, make sure your USB drive is formatted for use with a Mac, then download the OS X Lion installer from the App Store and copy it to your flash drive. you are granted a limited, non-transferable, non-exclusive license: (iii) to install, use and run up to two (2) additional copies or instances of the Apple Software within virtual operating system environments on each Mac Computer you own or control that is already running the Apple Software." The Mac OS X 10.7 (Lion) installer software license agreement (the regular install, not the server) states: Will parkour still be present in Dying Light: The Following? On top of the existing foes that players encountered in the original game, there are various new enemy types with new behaviors and attack patterns." You can then develop that character further in both the main game and the expansion."Īre their any new enemies in Dying Light: The Following? "Yes, you will be able to transfer your character and progress from the main campaign to Dying Light: The Following and vice versa. However, story-wise, you will get the best experience if you know the full story of the original game."Ĭan I transfer my character to Dying Light: The Following? "You will have to complete the prologue part of Dying Light before you can jump into Dying Light: The Following."Ĭan I play Dying Light: The Following without completing the main story from the original game? However, you can choose to play it at any point after completing the main game’s prologue."Ĭan I start Dying Light: The Following without playing the original game? "A character level of around 18 or more is recommended when starting Dying Light: The Following. What character level should I have for Dying Light: The Following? "Dying Light: The Following is a massive expansion to Dying Light, which introduces a host of new features, including a vast new map, drivable and customizable buggies, and a new mysterious storyline." What’s Dying Light: The Following and how can I get it? To offer more insight on this, as well as answer questions about what the new expansion contains, below is a Dying Light: The Following FAQ guide, with all answers written by Techland.īy clicking 'enter', you agree to GameSpot's Meanwhile, those who own the original can upgrade to the expansion by purchasing The Following as DLC.Īlong with this, there's a second-tier expansion available too, called Dying Light: The Following - Enhanced Edition. This expansion will outright replace last year's game across all digital storefronts, and gradually it will succeed the original at physical retail too. With Dying Light: The Following's release date now a little more than a week away, Techland has presented below a question-and-answer guide for fans, answering some of the most frequently asked enquiries regarding the expansion.ĭying Light: The Following's release procedure is a little more elaborate than most. One year since the zombiepocalypse survival-horror game Dying Light jump-scared onto the scene, its developer Techland has put the finishing touches on the bloodcurdling expansion, called The Following. Twenty Thousand Hertz is produced out of the studios of Defacto Sound, and hosted by D allas Taylor.īecome a monthly contributor at 20k.org/donate. June 3rd (No oohs and ahhs) by Virgil Arles I'm Not Here (Instrumental) by Graphite Man Diana Deutsch and neuroscientist Dana Boebinger explain why our hearing is a unique sense and why sonic illusions can fool us. Sonic illusions put a spotlight on the unique function of our hearing and how our backgrounds and biology affect how we process sound. Sometimes our ears can even play tricks on us. What we hear is incredibly personal and we all hear things differently. PNAS 120 (29): e2301463120 doi: 10.1073/pnas.This episode was written and produced by Carolyn McCulley. The study was published in the Proceedings of the National Academy of Sciences. “We also plan to investigate visual disappearances and other examples of things people can perceive as being absent.” “We plan to keep exploring the extent to which people hear silence, including whether we hear silences that are not preceded by sound,” the scientists said. The findings establish a new way to study the perception of absence. “The kinds of illusions and effects that look like they are unique to the auditory processing of a sound, we also get them with silences, suggesting we really do hear absences of sound too.” “There’s at least one thing that we hear that isn’t a sound, and that’s the silence that happens when sounds go away,” said Johns Hopkins University’s Professor Ian Phillips. It was that the same illusions that scientists thought could only be triggered with sounds worked just as well when the sounds were replaced by silences. The idea wasn’t simply that these silences made people experience illusions. They then listened for periods within those audio tracks when all sound stopped abruptly, creating brief silences. The participants were asked to listen to soundscapes that simulated the din of busy restaurants, markets, and train stations. Other silence illusions yielded the same outcomes as sound illusions. They found the same results: people thought one long moment of silence was longer than two short moments of silence. In tests involving 1,000 participants, the study authors swapped the sounds in the one-is-more illusion with moments of silence, re-working the auditory illusion into what they dubbed the one-silence-is-more illusion. One example is known as the one-is-more illusion, where one long beep seems longer than two short consecutive beeps even when the two sequences are equally long. Like optical illusions that trick what people see, auditory illusions can make people hear periods of time as being longer or shorter than they actually are. “If you can get the same illusions with silences as you get with sounds, then that may be evidence that we literally hear silence after all.” “Our approach was to ask whether our brains treat silences the way they treat sounds.” Chaz Firestone, a researcher at Johns Hopkins University. “Philosophers have long debated whether silence is something we can literally perceive, but there hasn’t been a scientific study aimed directly at this question,” said Dr. “Surprisingly, what our work suggests is that nothing is also something you can hear.” “But silence, whatever it is, is not a sound - it’s the absence of sound.” “We typically think of our sense of hearing as being concerned with sounds,” said Rui Zhe Goh, a graduate student at Johns Hopkins University. show that silences can substitute for sounds in three prominent auditory illusions caused by event representation. 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It produced the top-40 single, " Out West", which features Young Thug and reached number 38 on the Hot 100. On December 27, 2019, Scott released a collaborative compilation album with his record label, Cactus Jack Records (JackBoys) titled JackBoys. Later that year, he released the single " Highest in the Room", which became his second number-one single. In 2019, Scott released a collaboration with Ed Sheeran titled " Antisocial", which charted at number 37 on the Hot 100. Promotional single " Stargazing" also reached number eight on the Hot 100. Released as a single in 2019, " Wake Up" also became a top-40 single as it reached number 30 on the Hot 100. It also produced the top-40 single, " Yosemite", which reached number 25 on the Hot 100. It produced the Billboard Hot 100 number-one single, " Sicko Mode", which gave Scott his first number-one single. The album debuted and peaked atop the Billboard 200, giving Scott his second chart-topping project. On August 3, 2018, Scott released his third studio album, Astroworld. In 2018, Scott released the single " Watch", which features Lil Uzi Vert and Kanye West and charted at number 16 on the Hot 100. On December 21, 2017, Scott released a collaborative album with Quavo titled Huncho Jack, Jack Huncho, under the name Huncho Jack, which is named after Quavo's nickname of "Huncho" and Scott's nickname of "Jack". It produced the top-40 single, " Goosebumps", which features Kendrick Lamar and reached number 32 on the Billboard Hot 100. The album debuted and peaked atop the Billboard 200, giving Scott his first chart-topping project. On September 2, 2016, Scott released his second studio album, Birds in the Trap Sing McKnight. It produced the top-20 single, " Antidote", which reached number 16 on the Billboard Hot 100. The album reached number three on the Billboard 200. On September 4, 2015, Scott released his debut studio album, Rodeo. On August 18, 2014, he released his second mixtape, Days Before Rodeo. On May 21, 2013, Scott released his debut mixtape, Owl Pharaoh. The discography of American rapper and singer Travis Scott consists of four studio albums, one compilation album, one collaborative album, two mixtapes, and 56 singles (including 27 as a featured artist). |
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